Reckoning and Repair

S.2 Episode 4 // The Walls Have Eyes: A Muralist’s Vision of Hope with Cabaio Spirito - Voiced by Ian Zang

Season 2 Episode 4

Cabaio Spirito is a street artist from Buenos Aires, Argentina. He began painting in the streets following the Argentine economic crisis of 2001 as part of the stencil collective Vomito Attack, a politically motivated group who used stencil art to unleash political commentary and anti-consumerist messages throughout Buenos Aires. Departing from Vomito Attack in 2005, he adopted the name Cabaio Stencil and began creating independently. Known for his immensely colorful collage-style murals, Cabaio Spirito uses hand-carved stencils to create the images, textures, shapes, symbols, and typography that are superimposed in his highly intimate, yet socially engaged murals. To date, Cabaio Spirito has exhibited in galleries around the world from Argentina and Brazil to the United States and Indonesia.”

An experimental podcast project, season 2 of Reckoning and Repair: The Art of Resistance in Argentina endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at rnrphilly.com.


Audio Credits

For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: rnrphilly.com

Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​

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